what is a "good enough mix" to send
to a mastering engineer?

Last Updated: October 6th, 2025

Read time: 3-Min

What is a 'Good Enough mix' for mastering?

As creatives we're often our own worst critics. We create a sound then we like and listen and relisten until we find something wrong with it. This could be a niggling frequency we just can't seem to get rid of, a vocal that feels like it's sitting funny in the mix, or a drum hit that is slightly behind the beat..or is it in front? A mastering engineer is an invaluable asset at this point. A fresh pair of ears on the mix helps to give perspective on the sound from a more objective point of view.

What should I check before giving my mix to mastering?

Start and end of the mix - Does the mix begin and end seamlessly? Have audio tails been cut off by your export region? [example]

Imperfections/Artefacts - Listen through to the mix with the intention of listening for any unwanted pops, clicks or distractions from the music.

Balance - Can you hear each of the instruments you have added? Sounds simple but much like proof-reading it's easy to scan over our work when we listen without intention, take some time to listen to your mix and ensure that every element you chose to add can be heard legibly. If you find there are elements that aren't legible, maybe question if it's even necessary to the mix.

Loudness - Have you provided enough headroom in the mix to allow the mastering process to take place? For the best practises when it comes to headroom, check out How to gain stage/level balance a mix.

Why would a mix be rejected for mastering?

A mix would be rejected if there are core issues within the recording or mixing process. We would much rather guide you in the direction of a mixing engineer or some mixing advice before starting the mastering process. This ensures you have a better mix heading in to the mastering process and ensures we can provide a better end result for you.